Dale Marshall Design
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      • Macbeth
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      • Working 2012: A Musical
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Macbeth

Director: Jim Iorio
Sound Design: Dale Marshall Pickard
Set in a post apocalyptic world, we used musical underscoring and effects to create depth within the scenes and to accent moments of magic and heightened conspiracy.
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Used to open the performance, this compilation of cannon fire, gunfire, sword battle, horses, and men yelling helped to set the mood of a world in combat.
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A combination of Japanese drum and Philip Glass Instrumental music, this compilation was used to underscore Macbeth's asides and monologues during the production, giving a sense of foreboding to the character.
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A combination of Japanese drum and Philip Glass Instrumental music, this compliation was used to underscore Banquo's monologue at Macbeth's palace, were he begins to suspect Macbeth of foul play.
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A combination of drums and woodwinds, this fantasy style music separated the witches from the other characters in the production and helped imbue them with a mystical quality.
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For the 3 Apparitions that appear to Macbeth, we used video projection. I was responsible for overdubbing the audio for the video. This entailed recording the actors we were using for the voices, and modifying the audio using a series of effects to give the ethereal, otherworldly quality we wanted from these characters. This involved adding echo and reverb, as well as overlaying the audio in a variety of different pitches.
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